Dogon nommo art. These figures are carved out of ...

Dogon nommo art. These figures are carved out of tree trunks, p The name Nommo derives from a Dogon word that translates as “to do well”; much more often, however, this is remembered as “The Master of Water” (perhaps a The Nommo or Nummo are primordial ancestral spirits in Dogon religion and cosmogony (sometimes referred to as demi deities) venerated by the Dogon Wooden female figure with cyslindrical torso and raised arms aloft with hands joined together. dieu de l'eau et source de vie. Folk art depictions of Nommos show creatures with humanoid upper torsos, In Dogon mythology, one of the Nommos, ancestors of humans who was resurrected by the creator god Amma, is said to have descended to earth The Met's collection of art of the peoples of sub-Saharan Africa, the Pacific Islands, and North, Central, and South America comprises more than eleven thousand In Dogon cosmogony, nommo are the ancestral spirits of human beings, generated by the god of creation, Amma. Nommos are usually described as amphibious, hermaphroditic, fish-like creatures. Représentation : Ces figures représentent souvent des ancêtres ou des esprits primordiaux appelés Nommo. Carved from a single block of wood. Surface encrustation. rejoignant la pensée de Lao Zi : « La The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy. il comprend que cette réussite repose sur une alliance symbolique avec le Nommo. These figures are carved out of tree trunks, purposefully following the tree ’s Deep in the cliffs of Mali, the Dogon people constructed their civilization into the towering walls of the Bandiagara Escarpment — both a physical refuge and Peu à peu initié à la spiritualité dogon. The figure stands on a disc. The sculpture of the Dogon people of Mali constitutes one of the richest artistic traditions of West Africa and is a highlight of the Metropolitan . Signification : Dans la cosmogonie Dogon, les Nommo sont des êtres mi-humains mi The Met's collection of art of the peoples of sub-Saharan Africa, the Pacific Islands, and North, Central, and South America comprises more than eleven thousand In the Dogon pantheon Amma appears as the original creator of all the forces of the universe and of his descendant Lebe, the god of plant rebirth. The first Dogon Nommo and the bisexual paired offspring of Nommo were self-fertilizing Androgynes who produced the Dogon people and taught them how to live. In Dogon cosmogony, nommo are the ancestral spirits of human beings, generated by the god of creation, Amma.


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